Saturday 29 January 2011

Intoxication

I remember the day when I first lay my hands on Harivanshrai Bachchan's Madhushala. I was having conjunctivitis so missed college and stayed at hostel. Borrowed the book from a friend. Cant tell was it the simple language, the sharp digs at social lacunae, or just the musical nature of his work, I just got addicted to it. Me and my friend from UP had this recitation competition, which went on for days (not that great for my roomies). 

I felt similar intoxication when I read Pablo Neruda. I have only read few of their works, but felt that both write about different things, but somehow their style felt similar (well I am not that great at writing/thinking why I like some things, I just like them). As opposed to  Mr. Bachchan, who writes about social values (especially in Madhusala), I felt Neruda is great in talking about love and pain. Some of the best lines that I like from Madhushala and some random lines from Neruda are below. 

Neruda:
  • Love is so short, forgetting is so long. 
  • Though this be the last pain that she makes me suffer
    and these the last verses that I write for her. 
  • I want to do with you what spring does with the cherry trees.

From Madhusala
1. मुसलमान औ' हिन्दू है दो, एक, मगर, उनका प्याला,
  एक, मगर, उनका मदिरालय, एक, मगर, उनकी हाला,
  दोनों रहते एक न जब तक मस्जिद मन्दिर में जाते,
  बैर बढ़ाते मस्जिद मन्दिर मेल कराती मधुशाला!




2. मदिरालय जाने को घर से चलता है पीनेवाला,
'    किस पथ से जाऊँ?' असमंजस में है वह भोलाभाला,
     अलग-अलग पथ बतलाते सब पर मैं यह बतलाता हूँ -
       'राह पकड़ तू एक चला चल, पा जाएगा मधुशाला
।'


3. एक बरस में, एक बार ही जगती होली की ज्वाला,
    एक बार ही लगती बाज़ी, जलती दीपों की माला,
   दुनियावालों, किन्तु, किसी दिन आ मदिरालय में देखो,
   

    दिन को होली, रात दिवाली, रोज़ मनाती मधुशाला।


Tried my hand at writing a poem after writing this post...and i was terrible. Dropped the idea for time being. 

Thursday 27 January 2011

Pather Panchali (Movie)

Satyajit Ray.Satyajit Ray Image via Wikipedia

Wanted to watch this movie since ages. Finally watched it couple of months back. Satyajit Ray has been one of my favourite authors. Practically learned English to read his translations of Feluda and Professor Shonku. A major person responsible for my fascination towards Kolkotta and Bengalis. Anyways, wanted to to see what kind of cinema he created.

I like fast paced movies. Hence, I was a bit bored in the initial part of the movie. While most of the fast paced movies are full of dialogues, Ray uses silence as an important tool to convey moods and feelings, and to me he really seemed very good at doing so. The story is very simple, no 'filmy' dialogues. The artists who play the character are chosen very wisely. Read somewhere how much trouble Ray went through to find right actors for characters.

What stood out for me were 3-4 scenes which made movie really worth watching. One of them was when the child character Apu is being readied to go to school by his mother and sister. The expression at around 10:20 tells it all. NO WORDS NECESSARY. The scene where Durga and Apu chase the sweet selling guy was also brilliant. After watching movie read its review and was very happy to find that both of those scene were specially mentioned.

In conclusion, though I love fast paced movies, this slow poetic movie did leave a lasting impression on me. If I was given a possibility to have dinner with a person across ages, I would choose Ray. Want to watch the remaining two parts of Trilogy, read that Apu trilogy is one of the most famous one in history of cinema, each outclassing the previous one.
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Thursday 20 January 2011

Nice one...

Liked this one. Original post here http://www.google.com/profiles/sreenath253#buzz


The large amounts mentioned in the scams have given rise to an idea- new words to refer to large numbers- such as ::


a) Rs 1,00,000 crores= Rs 1 Raja
b) Rs. 10,000 crores = Rs 1 Radia
c) Rs 1,000 crores= Rs 1 Kalmadi

It will be easier to converse and comprehend large numbers. A few examples:

>> Anil Bhai’s home in Pali Hill will cost Rs 4.5 Kalmadi
>> ONGC’s annual output is Rs 1.2 Raja
>> India’s loss in G2/G3 scam is about Rs 1.7 Raja
>> India’s total annual subsidy on Kerosene is Rs 2 Radias
>> Poor Pramod Mahajan left behind only Rs 1.4 Kalmadi


Three cheers for Raja, Radia and Kalmadi !